Riviera  Maya . 2018. Digital  painting                  Colombia waterfalls. 2019. Digital painting

Vermut. 2019. Digital  painting                                                                    
  Aperitivo. 2019. Digital painting

Digital paintings. 2017/2018

Barcelona  views. 2017. Digital Paintings 


Women .  2018. Digital  paintings

life the city

By Anna Adell / In Arte Actual /  9 diciembre, 2016
Setdart. Barcelona . 2016
Using only pictorial resources, Gonzalo Centelles immerses us in 
everyday experiences almost synesthetic, where the form transmits 
celerity and color seems to emit all the symphonic notes of the big 
city: the pushing in the subway, beeps, squeaky wheels ... or the 
Human warmth and the aroma of coffee in the corner bar; The emotion 
shared in a soccer field or in an automobile race ... It speaks to us, 
in short, of the beauty of living, sometimes with sarcasm but always 
with tenderness. As for the formal, Gonzalo defines himself as a cocktail, 
and certainly stirs with skill in his cubilete languages ​​derived from 
expressionism and fauve, but also from urban art and the world of comics.

The Pier - Sta.Monica

      The Pier - Santa Monica. 80 cm x 162 cm, mixed media / canvas, 2016

Camp Nou

2014, mixed media / canvas, 82 cm x 133 cm



2016, mixed media / canvas, 71 cm x 58 cm



2005, oil on canvas, 114 cm x 162 cm



Nascar. 2016, Acrylic, oil & smalt / canvas,   80 cm x  60 cm



60,5 cm x 30,5 cm. Mixd media / canvas . 2017



    2011 . mixed media on canvas . 89, 5 cm x 130 cm


Metro full

 2016 . Mixed media / canvas . 77 cm x 77 cm



El clásico at " el Camp Nou stadium "

2019, oil &  acrylic  / canvas, 81 cm x 81 cm


Summer in the city

2011. oil on canvas. 160 cm x 252 cm

Summer holidays

2011, ink and graphite on paper, 70 cm x 100 cm


New, different, bright, ironic, funny and even acid is the painting of this young Catalan artist, able to draw everything from every possible angle, with the insertion of characters in a first, second and even third level, to give his works a halo of the three-dimensional image away from the flat pop. Suggesting a chromatic expressionist vibration charged on the canvas in a display of vital freedom. With details on the background he succeeds in creating an atmosphere that make more reliable the developments of his characters and their environment, his loose stroke, worthy of the most outstanding artists, does not elude the licenses of someone who knows about the painting technique of art and who enjoys applying it to his whim, small details that enrich a work to be analyzed with interest and which shows the pictorial skills of this author, Gonzalo Centelles, who should be followed closely.
While others opted for the autobiography or the vague representation of existential emptiness, to raise his ideas on the possibilities of art, Centelles tells us a story that is real, while we become tender and excited. But in addition, today more than ever, he returns to play with reality to lead us to all sorts of winks. He combines imagination with realism, logic with fantasy, showing constant philosophical, sociological and anthropological proposals. Highlighting, also, his concerns about geometry and perception on the painting and his ability to suggest. Showing clearly his goal: to build a world with icons of the moment he has lived full of wit and arguments.
Pay sincere attention to this work. You will perceive that it comes out from inside the creating heart of the artist who paints necessarily with the indestructible strength of his internal ego. He forgets of what is established, and he visually rests of those images that have been previously projected in his conscience. You will see how this creator of the brush is gradually walking on the path built by great artists in their passage through life.

2008.Fragment taken from the original text written by:
Javier Carles and Marila Gomez Alarcon.
Journalists and art critics.
Members of the International Association of Art Critics.


                                          2011. oil on woodboard. 69 cm x 54 cm




         60 cm x 30 cm x 20 cm, iron & rustless steel, 2011




     Synthetic smalt on rustless steel, 34 cm x 22 cm x 22 cm, 2010





           synthetic smalt on granite stones, 70 cm x 134 cm x 15 cm, 2010